Big Daddy and the American Dream in Tennessee Williams Cat on a Hot Ti

Big Daddy and the Ameri fucking Dream in Tennessee Williams Cat on a Hot Tin hood Tennessee Williams Cat on a Hot Tin Roof is a thought-provoking play that explores human relationships of all kinds. The character of Brick is forced to examine the relationship with his friend, Skipper, his wife, his family, and himself. Other characters, Gooper, Mae, and Big Mama, demonstrate stifling marriage relationships. Big Daddy, though, is one of the most interesting characters in that he illustrates the strange relationship one can have with ones possessions. Watt and Richardson, the editors, state that the play is about acquisitiveness. That is, the acquiring of material possessions is important to the play, and this family. The Pollitts own a plantation home on the Mississippi Delta. Their reside is a key figure in the work as much as any of the characters are in that it encapsulates the familys legacy of secrecy. To begin with, there is the central staging area of Brick and Maggies be droom. This room was once shared by the former owners, two men, a fact that seems to haunt Brick. Williams describes the decor of the room in around detail. He is most occupied with the console combination of radio-phonograph, TV set and liquor cabinet. He seems incredulous at the size and symbolism in this possession. He writes, This piece of furniture (?), this monument, is a very completer and compact little shrine to virtually all the comforts and illusions behind which we hide from such things as the characters in the play are faced with . . . (Williams 660). He is quite right. Not only does Brick hide behind the liquor in the cabinet, his true crutch, but the furniture does symbolize all the modern conveniences that many p... ...system that he speaks of is more than the lying and liars that immediately surround him it is not just his family. The system that he lives in is materialism. He has bought into the American dream, in effect capitalism, and has at last found it lack ing. Yet it is doubtful that this revelation will truly change Big Daddy in the way he lives his last days. For Williams words concerning Brick ring true for Daddy as well. He writes, I dont believe a conversation, however relevatory, ever set up so immediate a change in the heart or even conduct of a person (706 act 3). Big Daddy is pin down in his American dream even as it has become his nightmare.Work CitedWilliams, Tennessee. Cat on a Hot Tin Roof. In Stages of Drama serious music to Contemporary Theater. Ed. Carl H. Klaus, Miriam Gilvert, and Bradford S. Field, Jr., 4th ed. Boston Bedford/St. Martins, 1999.